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Slaughterhouse Road

by Miguel Rios

supported by
Kavisha Mazzella
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Kavisha Mazzella Atmospheric stark images that haunt you ... great reflective songwriting ... accompanied by solid expressive voice . guitar , fiery violin delivered with an high lonesome style of Americana folk . good stuff ! great music to paint to
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1.
When I was a kid Not very old We lived on a hill Down Slaughterhouse road Wild tobacco grew in the snake garden where we walked for days but never reached the end To the big blue lake so deep so cold it lay at the very end of Slaughterhouse road lived in our own world kept the door closed can't ever go back down Slaughterhouse road up on the hill up further you go to reach the Slaughterhouse Standing lonely and still Nothing much came or went from it 'cept a useless band of barefoot misfits The Deadwood sticks made the world look old when we were young down Slaughterhouse road the nights got longer the howling wind froze but the fires never warmed up Slaughterhouse road 52 cars lined up in rows tumbling down the hill on slaughterhouse road we broke into the bakehouse store to get the replica pistol to be outlaws later that night a red fever took hold still remember the face come in out of the cold The Magic man’s calling his doves to come home When the last sun was setting on slaughterhouse road The ghosts are still calling carry us home but I've never been back down Slaughterhouse Road
2.
3.
Narcissist 02:53
I don't know much but what I see is a dying world from too much greed are we part of it which eats itself or just some fools up on the shelf far away and back again it all looks the same like holy land Like Narcissist we have become can't see the moon can't see the sun the lake is looking into our eyes to groom itself before it dies I don't know much but what I see Is a fear of god that’s killing thee lift us up tear us down laying face up on the ground dust and cracked earth wind and smoke the empires mechanisms broke Like Narcissist we've become can't see the moon or fee the sun the lake's looking into our eyes to groom itself before it dies I don't see much but what I do makes me wonder if the words are true from all the books on faith and stuff If we can't get along just a few of us Far away and back again It all looks the same It's sacred land
4.
The world is spinning faster and It's catching up to you Now your clothes don't fit you you just lost another tooth So I take a million pictures to remember you that way but you just say old man that's not how life stays cause the world is spinning faster its catching up to you Put the dog out early Clever girl, clever boy She follows you back in though and chews your favorite toy so we stitch it back together and go about our day and I just try and remember this is not how life stays cause the world is spinning faster its catching up to you
5.
Butchers Creek I've seen you flow red dirt green grass undertow crossed your waters and I've seen you weep washed your forehead cleaned your cheek old car snaking up the gravel track the old worlds taking the new world back Log cabin on the cutting line between takes it back faster than we want it to believe White shirt doctor up on the grass cane knife swinging till the day turned dark kerosene lamp burning all night long old man humming his old world song was it enough to swap and trade the rifle butt the edge of a blade I wonder do they remember why they lured you there and made you die Butchers creek I heard you cry One time when I was nearly 5 the little bridge we crossed was always red cause the ground around it always bled Mingara would call to us but I never knew about the people crushed Butchers Creek I've seen you weep for all the crimes you could not keep
6.
On the road to Nimbin flowers in her hair Man in a truck stop praying crosses and flowers everywhere crosses and flowers everywhere Told me once you need me Told me once you care Told me once you’re leaving looking for a different life there the worlds really spinning up there Time got a new meaning up there All through the night she was driving All though her life she was trying To find herself up there On the road to Nimbin Living without a care Man in work shirt praying looking for some meaning down there His rug on the ground everyday Not taking no names in vain Hoping that the world might change On the road we're living changing everyday in the moment giving keeping nothing for another day she was driving all through the evening On the road to Nimbin It's all ready light In nimbin Put it back together in Nimbin Told me once she needs me Told me once she cared On the road to Nimbin Looking for another life there
7.
to the sailors below takes the shape of their most sacred thing see it burning bright Hear the melody we're too rum soaked and tired to sing I walked a straight line looking for some friends made it to the sea where where all roads must end The sailors there said come back when you're whole They tried to stitch me up but I wouldn't let them Now I'm holding every card I was never dealt I'm a real magician with a fake gun in his belt all the tricks of the trade every chapter every verse won't help me when I'm sinking down to meet them There’s a rock you know to the sailors below takes the shape of their most sacred thing see it burning bright Hear the melody we're too rum soaked and tired to sing
8.
He always walked through the night on the road, Always watched the light Knew the sound of everything walked in time with the owl that sings with the bird that sings well he knows there’s lights coming round the bend and I know there’s lights coming round the bend aiming for my brother I've never seen him again ten to two his birthday night walking home something wasn’t right something wasn’t right he could have gone right to the door would he be saved lay down on the road his body finally gave to the moonshine that he made maybe? but no one knows well he knows there’s lights coming round the bend and I know there’s lights coming round the bend aiming for my brother I've never seen him again One is two so tell him twice on the road don't walk into the light when your walking in the night...
9.
This song came from a kiss everything that’s been here before I rode into the sunset but end up kneeling at your front door This towns getting busy Always seems to know where we stand One hands chained around you waltzing to the local marching band So don't Don't forget me Like empty Vessels do when they are washed up by the way side ahhh they still mean something too when you're from a small when you're from a small town, it keeps a piece of you
10.
Black Dog 03:49
Black dog Black dog you sleep outside my door I try not to feed you, or show you love at all see you down the street, slicked back hair black coat on Oh black dog black dog I'm not listnin' to your songs I tried to leave you, so far out to sea, I tried leaving you where there's no turning back but when you're out on the ocean when you're nothing but a speck oh back dog black dog you haven’t caught me yet black dog black dog why do we pretend you say there are no others, that I'm your only friend I hope this is the last time, that we ever meet you’re a wolf in sheep’s clothing A liar and a cheat so black black dog don't come round here again leave you're whinin' leave you're scratchin' save it till the end cause I found a different colour, now the world can see me move Now black dog, black dog you're not chasing me, I'm hunting you...

about

In a year when creativity has taken on new forms, one thing stands out.
Getting back to basics. So recording an album on a 1969 Ampex 440, analogue 4-track tape machine, somehow makes sense in a global pandemic.That’s exactly what folk, blues influenced singer-songwriter Miguel Rios to do in July 2020.

But, this ain’t your average story. There’s something haunting here too.
Miguel’s songs reveal his childhood experiences growing up on a commune, in Far Northern Australia. It’s classic song writing craftsmanship with stripped back arrangements, all captured in live performances onto tape.
The artistic vision - make an authentic, honest and timeless sounding record.
And if you’re going to embrace the reclusive nature of the times....

The album is aptly titled, Slaughterhouse Road.

Slaughterhouse Road is an album 20 years in the making, that was its gestation, the birth was an intense 10 days. Fours days to do the initial tracking on the 1969 Ampex half inch 4 track tape machine,in my Gravel Road Studio on the outer edge of Melbourne, Australia.

We were doing a full moon recording, something my Producer and Engineer Greg O'Shea had told me about years ago. He said, in response to one of my ramshackle demo sessions, whereby my 1969 Akai M8 tape recorder developed an oceanic sound in one of its channels, this sound would come and go but as the session progressed it became more present until  the two track machine became a 1 track machine, and still, there was something far more appealing about this piece of analogue hardware than the thought of going digital, an option literally at our fingertips. At the end of the session Greg remarked I reminded him of stuff he had read about Neil Young. I took that as a huge compliment! Greg went on to say next you'll only want to record on a full moon like Neil does, my immediate reaction was to say what a brilliant idea, lets do that! In the pre production phase I didn't actually think we would be able to include this celestial monthy event, but when I started booking dates, everything lined up for the weekend of the full moon, it was truly magnificent timing...

credits

released February 5, 2021

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Miguel Rios Melbourne, Australia

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